The Academy of American Poets is for people who love poetry. Our membership is nearly 9,000 strong and growing, and our programs reach over 20 million people every year. Our programs include Poets.org, the Poets Forum, Poem in Your Pocket Day, National Poetry Month, American Poet magazine, the Poem-A-Day email series, the Poetry Audio Archive, educational initiatives, readings and events, awards and prizes, and so much more. We’ve been doing this since 1934, and we still think it's fun.

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Rabbits are capable of tenderness especially when pounded.
Feng Sun Chen, from Blud (Spork, 2012)

By Stina Kajaso

Jaded are my souvenirs, for they swell beyond the festivals where I tout them.
Um, soiled assassins are beautiful wearing the genocide they traveled to find me, but that’s love.
Sean Kilpatrick’s translation of Rimbaud, Boston Review: http://www.bostonreview.net/NPM2012/sean_kilpatrick_poems.php
(Picture by Emeli Theander: http://www.emelitheander.com/index.php?/projects/chin-chin/)

(Picture by Emeli Theander: http://www.emelitheander.com/index.php?/projects/chin-chin/)

“I also came to grotesque language in the patriarchal culture under the dictatorship. The body that was broken into pieces is a sick body. I put the disease of this world and my sick body together. The grotesque in my poems is the motion I use to put myself and the grotesque world together. So the miserable images I use in my poems are the same as the letters I send into the miserable world.”
(One of my favorite poets, Kim Hyesoon, in interview with Ruth Williams: http://www.guernicamag.com/interviews/williams_kim_1_1_12/)

“I also came to grotesque language in the patriarchal culture under the dictatorship. The body that was broken into pieces is a sick body. I put the disease of this world and my sick body together. The grotesque in my poems is the motion I use to put myself and the grotesque world together. So the miserable images I use in my poems are the same as the letters I send into the miserable world.”

(One of my favorite poets, Kim Hyesoon, in interview with Ruth Williams: http://www.guernicamag.com/interviews/williams_kim_1_1_12/)

On the Issue of “Accessible” Poetry!

“Death Drops”

(Read Lucas de Lima’s analysis here: http://www.montevidayo.com/?p=1674)

“Who Wants to Die for ART?”

“The Writerly Text”