The Academy of American Poets is for people who love poetry. Our membership is nearly 9,000 strong and growing, and our programs reach over 20 million people every year. Our programs include Poets.org, the Poets Forum, Poem in Your Pocket Day, National Poetry Month, American Poet magazine, the Poem-A-Day email series, the Poetry Audio Archive, educational initiatives, readings and events, awards and prizes, and so much more. We’ve been doing this since 1934, and we still think it's fun.

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William Shakespeare’s letter to the future.
Simon Evans, Letter to the Future, hand-stitched embroidery, 2011, 9 1/2 x 11 3/4 in
via

William Shakespeare’s letter to the future.

Simon Evans, Letter to the Future, hand-stitched embroidery, 2011, 9 1/2 x 11 3/4 in

via


Joan Retallack | The Reinvention of Truth$5.00 here Accordian Broadside | Edition circa 200?Printed to commemorate The Inaugural Leslie Scalapino Memorial Lecture in Innovative Poetics.Printed on 100% recycled paper at the San Francisco Center for the Book (editions includes green, blue, and pink variants).
Epigraph and textual variations determined by chance operations. 

Joan Retallack | The Reinvention of Truth

$5.00 here 

Accordian Broadside | Edition circa 200?

Printed to commemorate The Inaugural Leslie Scalapino Memorial Lecture in Innovative Poetics.

Printed on 100% recycled paper at the San Francisco Center for the Book (editions includes green, blue, and pink variants).

Epigraph and textual variations determined by chance operations.
 

“The way Hope builds his House” by Emily Dickinson.
Amherst Library recently made her complete manuscripts available online.

“The way Hope builds his House” by Emily Dickinson.

Amherst Library recently made her complete manuscripts available online.

(Source: consecratedeminence.wordpress.com)

The reverse-side of Sylvia Plath’s drawing of a chestnut.

The reverse-side of Sylvia Plath’s drawing of a chestnut.

Others — a full archive of Kreymbourg’s literary journal, spanning from 1915-1919

Others — a full archive of Kreymbourg’s literary journal, spanning from 1915-1919


You remember I asked you for it—you gave me something else

from The Master Letters of Emily Dickinson edited by R.W. Franklin.

You remember I asked you for it—you gave me something else

from The Master Letters of Emily Dickinson edited by R.W. Franklin.

designandcrime:

Meriç Algün Ringborg - The Library of Unborrowed Books (2012)

There is a selection made of what books accompany us into the future. Within education, for instance, the establishment of a canon is clear – it is the venue for the particular echo that determines what books persevere, those that are to be kept in the loop and read again by the next generation. This comes natural, a selection is necessary, and it’s made in different instances either conscious or unconscious. Nevertheless, the books that are left behind — those deemed useless or for unknown reasons are abandoned — still exist in physical form, organized and systematized within the one institution representative of knowledge in all its forms, the library.

The Library of Unborrowed Books bases itself on the concept of the library as an institution manifesting language and knowledge, of the passing of awareness and the openness to all types of people and literature. This work, however, comprises all the books from a selected library that have never been borrowed. The framework in this instance hints at what has been disregarded, knowledge essentially unconsumed, and puts on display what has eluded us.

Why these books aren’t ‘chosen,’ why they are overlooked, will never be clear but whatever each book contains, en masse they become representative of the gaps and cracks of history, or the bureaucratic cataloging of the world and the ambivalent relationship between absence and presence. In this library their existence is validated simply by being borrowed, underlining their being as well as their content and form by putting them on display in an autonomous library dedicated to the books yet to have been revealed.

(via theparisreview)

jenbenka:

concrete landscape. or this by etel adnan. a collaboration with carol mirakove.
from “In/Somnia,” published by Post Apollo Press

jenbenka:

concrete landscape. or this by etel adnan. a collaboration with carol mirakove.

from “In/Somnia,” published by Post Apollo Press

“After Sappho” by Hoa Nguyen, from her upcoming book, As Long as Trees Last

“After Sappho” by Hoa Nguyen, from her upcoming book, As Long as Trees Last